prints from bone

Preparations for Preserved Disintegrations continues at pace. Some of the works in the show will feature a new set of prints from bone. Not pictures of bones, but the bone itself used as the relief printing matrix. There is a lot of time spent preparing the bone to make it suitable to print from, and to get clear detailed prints, but I don’t actually carve an image into the bone – the natural form and structure is the image.

Here is the ‘block’ ready to print. What was initially one single bone (a sheep’s pelvis I think) was glued onto a wooden block. It has been ground and sanded down through repeated processes of sanding and printing numerous layers. The narrow bit of wood screwed onto the block forms part of my registration system.

In front here are prints constructed from all of those layers printed one on top of the other – and hence the need for accurate registration. They are hand printed on a yellowy buff Iwaki paper. Barely visible in the background are the book pages printed on white kozo. For the books there is only one impression per page, and so the act of turning the pages mimics the process of gradually sanding the bone down, revealing a modified image at each layer. While only one layer is clearly visible at a time, I’ve chosen a paper that is very thin and a little translucent so you get a sense of the shifting structure laying just below the page which impels the viewer to keep turning and gradually reveal the entire form.

Tags: , , , , ,

One Response to “prints from bone”

  1. artistatexit0 Says:

    I enjoy that there is little separation between substance and image in these prints.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: